A win of two million pounds on the National Lottery allows Lewis Blake to indulge his love of opera by paying for three international opera stars to participate in his local production of Carmen. However, a shadow is cast on this triumph when lead soprano Roseanne Goldsmith does not appear for the dress rehearsal. While her colleagues are impatiently waiting for their Carmen, she is found with her throat cut on a bench by the canal bank.
Acting D.C.I. Mitchell has a well organised, intelligent team investigating the case, with several strands operating simultaneously. This can occasionally be confusing, particularly with the number of characters involved. However, on the whole, they are likeable and entertaining. The investigation is carried out methodically and there are some good moments. D.C. Clement's penchant for running provides opportunities for humour as well as key stages in the case while his unofficial drafting of uniformed colleague Shakila throws in more than one complication. Her obvious schoolgirl crush on Mitchell is initially awkward but she proves a useful addition to the team and displays a dry humour which is easy to like. The involvement of Detective Caroline Webster in the production, with her fiancé co ordinating the music, also provides an interesting twist.
Each member of the investigating team plays an important part, as does each strand of the investigation. All are satisfactorily brought together for the denouncement of the novel. Hayward Morse reads clearly and with ease, exchanging vigour for sensitivity as appropriate. Individual personalities stand out, including Mitchell's dying mother-in-law, Hannah, only able to communicate through the voice of her computer.
One needs neither knowledge nor love of opera to enjoy Swansong. With good
characters, a strong plot and competent rendition, it has a lot to offer
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Mary Andrea Clarke